Utagwa Hiroshige – hiroshige iris 1856
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The irises themselves are rendered with an emphasis on their form rather than detailed botanical accuracy. Their petals curve gracefully outwards, while the tall, slender stalks appear almost architectural in their verticality. The artist has employed strong linear patterns within the foliage to suggest texture and movement, directing the viewer’s eye across the composition.
The waters surface is not depicted as entirely still; subtle undulations are implied through variations in color tone, hinting at a gentle breeze or current. A small, indistinct landmass appears on the lower edge of the frame, anchoring the scene and providing a sense of depth.
Several textual elements appear within the borders of the work. These inscriptions, rendered in traditional Japanese calligraphy, likely provide contextual information regarding the location depicted, the artist’s name, or poetic commentary related to the subject matter. Their placement alongside the central image suggests an integration of visual and literary expression characteristic of East Asian artistic traditions.
Beyond a straightforward depiction of nature, the work conveys a sense of tranquility and contemplation. The limited color palette and simplified forms contribute to a feeling of serenity, while the verticality of the irises might symbolize resilience or aspiration. The interplay between the vibrant flowers and the subdued background evokes a delicate balance between strength and fragility, suggesting themes of impermanence and beauty found within the natural world.