Friedrich August Von Kaulbach – Portrait of Carl Friedrich Felix and Carola von Behr
1874. 76x63
Location: Old and New National Galleries, Museum Berggruen (Alte und Neue Nationalgalerie, Museum Berggruen), Berlin.
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The girl sits nestled close to him, her posture more relaxed and informal. She rests her cheek on her hand, her expression one of quiet contemplation or perhaps gentle shyness. Her attire mirrors the formality of the boys, though softened by a delicate lace collar. The artist has captured a softness in her features, emphasizing her youthfulness.
The open book held by the boy is significant. Its pages display illustrations, hinting at an engagement with literature and learning. This detail subtly suggests values associated with education and refinement – attributes often emphasized within aristocratic circles. The lighting in the painting is dramatic; it illuminates the children’s faces and hands, drawing attention to their expressions and gestures while leaving the background shrouded in shadow. This contrast enhances the sense of intimacy and focuses the viewers attention on the subjects themselves.
The overall effect is one of restrained sentimentality. While the children are clearly presented as objects of affection, there is a notable absence of overt displays of emotion. The painting conveys an impression of quiet dignity and understated elegance, characteristic of portraiture from this period. It speaks to notions of childhood innocence, familial bonds, and the importance placed on education within a specific social context. The dark background serves not only as a compositional device but also contributes to a sense of solemnity and timelessness, elevating the children beyond mere likenesses into symbols of a particular lineage or societal ideal.