George Dawe – Portrait of the artist
c.1810-29 oil on canvas
Location: Museum of New Zealand Te Papa Tongarewa, Wellington.
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Here we see a man with reddish-brown, tightly curled hair, styled in a manner characteristic of the early nineteenth century. His complexion appears pale, and his eyes are wide and direct, conveying an impression of intense observation or perhaps even vulnerability. He wears a dark jacket over a white shirt collar, fastened loosely at the neck. The simplicity of his attire suggests a focus on his identity as an artist rather than any display of social status.
Crucially, he holds a collection of paintbrushes in his left hand, clustered together and extending outward toward the viewer. This detail serves as a clear indication of his profession and acts as a symbolic representation of his creative practice. The brushes are not neatly arranged but appear somewhat haphazardly gathered, hinting at an active and engaged artistic process.
The artist’s gaze is unwavering, creating a sense of intimacy with the observer. It suggests a desire for connection or perhaps a challenge directed toward the viewer. Theres a certain melancholy in his expression; it isnt overtly sad but rather conveys a quiet introspection. The overall effect is one of self-awareness and a degree of psychological complexity.
The painting’s composition, with its dark background and concentrated lighting, contributes to an atmosphere of solemnity and focus. It suggests that the artist intended not merely to depict his likeness, but also to convey something about his inner state and his relationship to his craft.