Gustaf Adolf Reuterholm (1756-1813), free lord, upper chamber lord, one of the Lords of the Kingdom, president Anton Oechs

The portrait presents a man in formal attire standing before a monumental stone structure within a nocturnal landscape. He is positioned centrally, commanding attention through his upright posture and direct gaze towards the viewer. The figures clothing consists of a dark, richly textured robe with elaborate detailing at the shoulders and cuffs, layered over what appears to be a white shirt collar. A prominent cross hangs from a chain around his neck, and he holds a staff topped with another cross in his right hand.
The background is dominated by a stylized night sky filled with stars and a crescent moon. To the left of the man stands a large stone monument inscribed with initials (G.A.R.) and the year 18 followed by VINCIT. Below this inscription, a smaller bas-relief depicts what seems to be a rearing horse. At the base of the monument, a small cluster of blue flowers is visible. A small white dog sits attentively at his feet.
The composition suggests an intentional layering of symbolism and status. The dark robes and religious iconography imply a position of authority, likely within a clerical or noble order. The staff, traditionally associated with leadership and guidance, reinforces this impression. The monument, bearing the man’s initials and the Latin word VINCIT (meaning “conquers”), serves as a visual declaration of his achievements and power. The horse motif on the monument could represent strength, nobility, or military prowess – common emblems in aristocratic portraiture.
The inclusion of the dog, often symbolizing loyalty and fidelity, further emphasizes the subject’s perceived virtues. The nocturnal setting, with its celestial elements, lends a sense of grandeur and timelessness to the scene, elevating the figure beyond the mundane. The overall effect is one of carefully constructed self-representation, designed to convey an image of piety, power, and enduring legacy. The oval format of the portrait itself contributes to this impression of contained importance, framing the subject within a defined space that suggests both prominence and restraint.