The Flight into Egypt Ortolano (Giovanni Battista Benvenuti) (c.1480-1525)

Here we observe a circular composition depicting a group engaged in travel. A man, presumably leading the way, gestures forward with his right hand, indicating direction and purpose. He is clad in yellow-gold robes that contrast sharply with the blue garments worn by the woman seated upon an animal – likely a donkey or mule. This woman cradles a small child within her arms; both are enveloped in a luminous halo, suggesting their significance.
The landscape appears somewhat barren, dominated by rocky outcroppings and sparse vegetation. A hint of greenery is visible on the left side, offering a subtle contrast to the otherwise muted palette. The background fades into a pale blue sky, creating a sense of distance and vastness. Another figure, also dressed in blue, trails behind the group, appearing somewhat detached from their immediate journey.
The artist’s use of light is noteworthy. It illuminates the central figures – the woman and child – drawing attention to them as focal points within the scene. The lighting creates a sense of depth, with shadows suggesting volume and form. The overall effect conveys an atmosphere of quiet urgency; it speaks of displacement and a journey undertaken under duress.
Subtleties in the composition suggest deeper meanings. The gesture of the man implies guidance and protection, while the woman’s posture – seated but attentive – indicates both vulnerability and maternal strength. The childs presence underscores the importance of safeguarding innocence amidst hardship. The trailing figure could represent a guard or attendant, adding to the narrative of escape and potential peril. The circular format itself contributes to the sense of completeness and cyclical nature of events.