Carl Frederik von Breda (After) – Adlercreutz Karl Johan (1757-1815)
1846.
Location: National Museum (Nationalmuseum), Stockholm.
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Here we see a man who appears to be of considerable age; his skin exhibits signs of maturity, marked by subtle lines and a slight redness around the nose and cheeks. His hair is receding, neatly powdered white, a style indicative of a specific historical period. The eyes are direct and observant, conveying an impression of intelligence and perhaps a degree of weariness.
The man’s clothing contributes significantly to his perceived status. He wears a dark blue military coat with gold embellishments on the shoulders and cuffs. A high-collared white shirt is visible beneath the coat, accented by a pale yellow cravat. Most notably, he is adorned with multiple orders and decorations across his chest – several medals and stars of varying sizes and designs. These insignia are meticulously rendered, suggesting their significance as markers of rank and achievement. The arrangement of these awards conveys an image of distinguished service and high societal standing.
The artist’s technique suggests a traditional approach to portraiture; the brushwork is smooth and controlled, prioritizing realistic representation over expressive gestures or dramatic effects. The dark background serves to isolate the figure, drawing attention solely to his person and status.
Subtly, theres an air of formality bordering on stiffness. While the gaze is direct, it lacks warmth. This restraint could be interpreted as a deliberate attempt to project authority and dignity, characteristic of official portraits intended to convey power and respect. The overall effect is one of a man who has lived a life of responsibility and achievement, presented in a manner designed to inspire admiration and deference.