Roerich N.K. – Three Varyag close
1,906. Pastel on cardboard. 42 x 45.5 cm.
Location: Private collection of John Stewart, UK, London
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In the immediate foreground, three male figures are arranged in a triangular formation. They appear to be warriors, clad in what seems to be traditional garb – helmets with prominent horns or crests, tunics, and shields bearing decorative patterns. Their stances suggest alertness and readiness; two hold their weapons forward, while the third appears to gesture towards the structure behind them. The artist has rendered these figures with a degree of angularity, contributing to an overall sense of stylized representation rather than naturalistic depiction.
Behind the warriors rises a formidable building complex. Its architecture is highly unusual, featuring multiple pointed towers or spires that dominate the skyline. These structures are rendered in shades of yellow and white, creating a visual emphasis on their height and imposing presence. The detailing within the structure appears intricate, though somewhat abstracted, suggesting an idealized or symbolic representation rather than a faithful architectural rendering.
To the left of the composition, a vessel is depicted. It’s partially obscured by the figures in the foreground but seems to be a large boat with a tiered construction along its sides. A figure sits within the boat, seemingly operating some kind of equipment – perhaps oars or a navigational instrument. The details on the boats surface are rendered with a repetitive pattern that contributes to the overall stylized aesthetic.
The sky above is filled with puffy white clouds against a pale blue backdrop. This creates a sense of openness and expansiveness, contrasting with the dense architectural forms below.
Subtextually, the painting seems to explore themes of encounter and confrontation. The warriors’ posture suggests an assessment or challenge directed towards the structure behind them. The monumental architecture could represent power, tradition, or perhaps even a foreign culture. The presence of the boat hints at travel, exploration, or trade. The stylized rendering throughout the work lends itself to a symbolic interpretation; it is less about portraying a specific historical event and more about conveying an idea – perhaps concerning cultural interaction, defense, or the encounter with the unknown. The overall effect is one of solemnity and grandeur, evoking a sense of mythic narrative rather than straightforward realism.