Roerich N.K. – Smolensk. Kremlin wall
1903. Oil on wood. 32 x 83.2 cm.
Location: The State Museum of Oriental Art, Moscow (Государственный музей искусства народов Востока).
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The wall, constructed from large stone blocks, extends across the horizon line, its form softened by atmospheric perspective. A tower punctuates the right side of the structure, providing a vertical counterpoint to the horizontal expanse of the ramparts. The stonework displays variations in tone and color, indicating age and weathering.
Above the wall, a sky filled with swirling clouds occupies the upper portion of the painting. These clouds are painted with loose brushwork, creating a sense of movement and dynamism that contrasts with the static nature of the stone structure below. The light filtering through the cloud cover illuminates sections of the wall and terrain, casting shadows that further define their forms.
The color palette is predominantly earthy – browns, ochres, and grays – contributing to a somber and weighty atmosphere. Hints of blue in the sky offer a subtle contrast but do not disrupt the overall feeling of restraint.
Subtly, the painting conveys themes of resilience and endurance. The wall’s imposing presence against the natural landscape suggests strength and permanence. The rugged terrain implies challenges overcome, while the weathered stonework hints at a history marked by time and perhaps conflict. There is an implicit narrative here – one of protection, defense, and the enduring power of human construction within a vast and indifferent environment. The artist seems to be less interested in documenting a specific place than in exploring broader concepts of stability and the relationship between humanity and its surroundings.