Academic drawing with plaster. Examination paper Roerich N.K. (Part 1)

The drawing presents a study of a male figure rendered in chalk or charcoal on paper. The subject is posed as if engaged in a dynamic action, likely a struggle or exertion. He stands upon a rectangular plinth, which provides a stable base for the otherwise precarious posture. His left arm is raised and bent at the elbow, while his right arm appears to be reaching out or pushing against an unseen force. The figure’s torso twists significantly, conveying a sense of internal tension and effort.
The artist has paid close attention to anatomical detail; muscles are meticulously delineated, suggesting a rigorous understanding of human form. Light falls dramatically across the figure, highlighting the contours of his back and shoulders while casting deep shadows on the opposite side. This chiaroscuro effect enhances the impression of three-dimensionality and emphasizes the muscularity of the subject.
The background is rendered with loose, gestural marks that create a sense of atmospheric depth. These indistinct shapes do not compete for attention but rather serve to isolate the figure and direct the viewer’s gaze towards him. The overall tonality is muted, dominated by shades of gray, which contributes to a somber and contemplative mood.
The presence of a plinth suggests that this is a study of a classical sculpture – likely a plaster cast used for academic training. This context implies an emphasis on observation, technical skill, and the mastery of traditional artistic principles. The drawing itself serves as documentation of the student’s understanding of form, light, and composition within the framework of established sculptural traditions.
The signature in the lower right corner indicates authorship and provides a marker of personal investment in the work. It also subtly reinforces the academic setting – a record of progress and evaluation.