Roerich N.K. – City (optional)
1907. Paper on cardboard, gouache, ink. 28.5 x 34 cm.
Location: Collection of EM Velichko. Russia.Moskva
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The color palette is restricted, dominated by muted blues, browns, and creams, with touches of orange in the sky. These colors contribute to a somber, almost melancholic atmosphere. The application of paint appears rapid and gestural, emphasizing line over tonal variation. This technique lends a sense of immediacy and spontaneity to the work.
The architectural forms themselves are not easily identifiable as belonging to any specific place or period. They possess a generic quality, suggesting a universal representation of urban structures rather than a depiction of a particular city. The towers, in particular, display decorative motifs that evoke medieval or Renaissance architecture, yet these elements are abstracted and distorted, losing their original context.
A curious element is the presence of swirling shapes in the sky, resembling stylized clouds or perhaps even smoke. These forms introduce an unsettling dynamic to the scene, hinting at potential disruption or upheaval. The small, circular form hovering near one of the towers could be interpreted as a symbolic representation of something otherworldly or disruptive.
The overall effect is one of disorientation and fragmentation. The painting seems to explore themes of memory, loss, and the passage of time. It suggests a city not necessarily destroyed by physical force, but perhaps eroded by historical change or psychological trauma. The deliberate lack of detail and the simplified forms invite viewers to project their own interpretations onto the scene, creating a sense of personal resonance with the depicted urban environment.