Roerich N.K. – Rostov. Entrance to the Kremlin
1903. Oil on plywood. 41 x 31.5 cm.
Location: The State Museum of Oriental Art, Moscow (Государственный музей искусства народов Востока).
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has prioritized form over meticulous detail; individual stones are suggested rather than precisely delineated, contributing to an overall impression of solidity and age. The structure is characterized by numerous arched openings at different levels, creating a rhythmic pattern across the facade. These arches appear both functional – allowing passage – and decorative, adding visual interest to the otherwise imposing mass.
The domes crowning the building are dark in color, contrasting sharply with the lighter stone and drawing the eye upwards. Their rounded forms provide a softening counterpoint to the angularity of the walls. A sense of scale is conveyed through the inclusion of small, indistinct figures at the base of the structure, which underscore the grandeur of the architecture.
The lighting appears to be coming from an oblique angle, casting strong shadows that accentuate the texture and volume of the building. This creates a dramatic effect, highlighting certain areas while obscuring others. The background is dark and undefined, further isolating the architectural subject and intensifying its presence.
Subtly, theres a feeling of austerity and resilience conveyed by the scene. The structure seems to embody permanence and historical significance. The lack of human activity beyond the implied figures suggests a sense of timelessness or perhaps even a quiet solemnity associated with places of power and tradition. The overall effect is one of imposing strength and enduring legacy, hinting at a complex history embedded within these walls.