Tron invisible God (mural sketch) Roerich N.K. (Part 1)

The composition presents a semi-circular arrangement, reminiscent of a tympanum or apse decoration within an architectural setting. A dark background emphasizes the figures contained within the arc. The central focus lies on a complex structure resembling a throne or altar, adorned with intricate detailing and what appears to be a smaller figure enclosed within its upper portion.
Flanking this central element are numerous figures arranged in symmetrical groups. These individuals appear to be engaged in acts of reverence; they kneel or bow towards the throne-like structure. Each figure is encircled by a golden halo, suggesting their elevated status – likely depicting saints or angels. The artist has rendered them with elongated proportions and stylized features, characteristic of certain historical artistic traditions. Their garments are simple, predominantly white, with touches of red and black detailing.
Above the central throne, foliage – likely representing trees or branches – creates a decorative canopy. This element contributes to the sense of sacred space and enclosure. The color palette is restrained, dominated by gold, white, red, and black against the dark backdrop. This limited range enhances the symbolic weight of each hue.
The arrangement suggests a hierarchical structure, with the central figure commanding absolute authority and the surrounding figures demonstrating submission or worship. The repetition of gestures and postures reinforces this sense of order and devotion. Subtly, theres an impression of procession or assembly – a gathering united in reverence for something beyond their immediate reach. The overall effect is one of solemnity and spiritual contemplation, evoking a sense of divine presence and the act of veneration.