Part 2 Prado Museum – Beruete y Moret, Aureliano de -- Orillas del Manzanares
1878, 82 cm x 149 cm, Lienzo, Óleo. Aureliano de Beruete y Moret
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Several trees punctuate the landscape. To the left, a line of slender birches stands in silhouette against the distant horizon, their pale trunks contrasting with the darker tones of the background. Closer to the viewer, on the right side, three mature trees with gnarled trunks and spreading branches command attention. These older specimens are partially bare, hinting at seasonal change or perhaps even age and resilience. The artist has paid particular attention to depicting the intricate patterns of their bark and the delicate emergence of new leaves.
A small group of cattle grazes near the waters edge in the middle ground, adding a touch of pastoral tranquility to the scene. A solitary figure, presumably a shepherd or farmer, stands nearby, seemingly absorbed in his surroundings. The scale of this individual is diminished by distance, emphasizing the vastness and solitude of the landscape.
The sky occupies a significant portion of the upper register, displaying a complex arrangement of clouds that diffuse the light and create a sense of atmospheric depth. The color palette leans towards cool tones – grays, blues, and greens – contributing to an overall feeling of quiet contemplation.
Subtly, the painting conveys a sense of melancholy or introspection. While the scene is ostensibly peaceful, the muted colors and sparse human presence evoke a feeling of isolation. The gnarled trees suggest endurance through hardship, while the cattle and solitary figure represent a connection to the land and traditional ways of life. The composition’s emphasis on horizontal lines – the riverbank, the horizon line – reinforces this sense of stillness and timelessness. It is not a celebratory depiction of natures bounty but rather an observation of its quiet dignity and inherent solitude.