Part 2 Prado Museum – Meléndez, Luis Egidio -- Bodegón: dos perdices, cebollas, ajos y vasijas
Último tercio del siglo XVIII, 41,6 cm x 62,3 cm, Lienzo, Óleo.
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The two birds are positioned prominently in the foreground, their plumage detailed with an almost scientific precision. Their posture – one lying fully exposed, the other partially obscured – implies both vulnerability and readiness for consumption. Scattered around them are onions, garlic bulbs, and a few stray feathers, reinforcing the theme of sustenance and preparation for a meal. A crumpled piece of paper lies near the garlic, its purpose unclear but potentially hinting at documentation or record-keeping related to the harvest or trade of these goods.
The artist’s attention to detail is remarkable; each object possesses a tangible weight and presence. The sheen on the pewter plates, the rough texture of the stone surface, and the delicate veining in the onions all contribute to a heightened sense of realism. Light plays a crucial role, illuminating specific areas while leaving others shrouded in shadow, further emphasizing the three-dimensionality of the objects.
Beyond the straightforward depiction of food and tableware, the painting evokes subtle subtexts related to wealth, abundance, and the cycle of life and death. The inclusion of game birds suggests an aristocratic patronage or a focus on luxury goods. The careful arrangement implies not only a celebration of plenty but also a contemplation of mortality – the birds representing a transient pleasure destined for consumption. The overall effect is one of quiet opulence tempered by a sense of melancholy, characteristic of the genre’s exploration of ephemeral beauty and the passage of time.