Part 2 Prado Museum – Goya y Lucientes, Francisco de -- Perro semihundido
1820 1823, 131 cm x 79 cm, Revestimiento mural, Técnica mixta. Francisco de Goya y Lucientes
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The background is rendered with an atmospheric quality, utilizing broad brushstrokes and a limited palette of browns, grays, and ochres. This creates a hazy, indistinct environment that obscures any clear spatial references. The lack of defined horizon line contributes to the feeling of disorientation and confinement. Light seems diffused and weak, failing to illuminate the scene fully; instead, it casts an overall pallor over everything depicted.
The artist’s handling of paint is notable for its textural complexity. Layers of pigment appear applied with a rough, almost frantic energy, contributing to the images unsettling atmosphere. The surface exhibits signs of scraping and reworking, suggesting a deliberate attempt to convey emotional turmoil.
Subtextually, the work seems to explore themes of suffering, vulnerability, and abandonment. The dog’s predicament can be interpreted as a metaphor for human hardship or existential struggle. Its isolation within this desolate landscape amplifies the sense of loneliness and despair. The ambiguous nature of its surroundings invites contemplation on the fragility of existence and the precariousness of life itself. Theres an unsettling quality to the scene, prompting reflection on themes of helplessness and the potential for cruelty inherent in the natural world or human actions.