Part 2 Prado Museum – Agüero, Benito Manuel de -- Paisaje con la salida de Eneas de Cartago
Tercer cuarto del siglo XVII, 239 cm x 205 cm, Lienzo, Óleo.
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The scene takes place on what appears to be a paved plaza or quay, populated by numerous figures arranged in varying states of emotion. Some appear to be actively engaged in the preparations for departure, while others seem overcome with grief or despair. A scattering of discarded objects – clothing, personal belongings – litter the ground, hinting at hasty abandonment and emotional turmoil. The artist has rendered these details with a loose brushstroke, contributing to a sense of immediacy and chaos.
To the right, a rocky promontory rises, crowned by what appears to be a fortified structure or citadel. This elevated position provides a vantage point overlooking the harbor and the departing ship, suggesting both observation and perhaps a symbolic farewell. The landscape itself is rendered with a dramatic use of light and shadow; the stormy sky, punctuated by a vibrant arc of rainbow, creates an atmosphere of foreboding yet also offers a glimmer of hope or divine intervention.
The overall effect conveys a narrative of exile and loss, underscored by the classical architectural elements that evoke a sense of historical weight and cultural significance. The presence of the column, in particular, suggests a fallen empire or a disrupted order. The rainbow, while visually striking, introduces an element of ambiguity – is it a promise of future prosperity, or merely a fleeting moment of beauty amidst profound sorrow? The painting’s subtexts likely explore themes of displacement, memory, and the enduring impact of historical events on individual lives.