Part 2 Prado Museum – Goya y Lucientes, Francisco de -- Leocadia Zorrilla (?)
1814 1816, 82,5 cm x 58,2 cm, Lienzo, Óleo. Francisco de Goya y Lucientes
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The artist has rendered her hair in an elaborate updo, typical of the period, with carefully arranged curls and tendrils framing her face. The texture of the hair is suggested through loose brushstrokes, creating a sense of volume and movement. Her dress, a muted palette of creams and grays, appears loosely draped, hinting at a relaxed posture rather than rigid formality. A dark sash, adorned with intricate gold detailing, cinches her waist, providing a focal point that draws attention to the contours of her figure.
The handling of paint is notable; it’s loose and expressive, particularly in the rendering of the fabric where visible brushstrokes contribute to a sense of immediacy and spontaneity. The backgrounds darkness serves to isolate the subject, intensifying the focus on her face and upper body. This stark contrast also contributes to an overall feeling of quiet introspection.
Beyond the surface representation, there’s a subtle ambiguity present in the woman’s expression. While she meets the viewer’s gaze directly, it is difficult to discern a definitive emotional state. Theres a restraint, perhaps even a hint of melancholy, that prevents a straightforward reading of her character. The lack of overt ornamentation or demonstrative gestures suggests an emphasis on inner qualities rather than outward display. This contributes to a sense of psychological depth and invites speculation about the sitter’s personality and circumstances.