Part 2 Prado Museum – Goya y Lucientes, Francisco de -- Baile a orillas del Manzanares
1776 1777, 272 cm x 295 cm, Lienzo, Óleo. Francisco de Goya y Lucientes
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The composition is structured around this core group, which is surrounded by other onlookers seated or reclining on the grassy bank. These peripheral figures contribute to the sense of communal festivity, though their expressions are less animated than those of the dancers. A significant portion of the background depicts a landscape with a distant cityscape visible across the water. The sky occupies a considerable area, rendered in broad strokes that suggest movement and atmospheric depth.
The artist’s use of color is notable. Earth tones dominate the foreground, grounding the scene in its natural setting. Brighter hues are reserved for the dancers clothing, drawing attention to their activity. A large, bare tree branch extends diagonally across the composition, partially obscuring the sky and adding a dynamic element to the arrangement. Its presence introduces an ambiguity; while it frames the dancing figures, it also casts a shadow over the scene, hinting at potential melancholy or transience.
Beyond the immediate depiction of merriment, the painting seems to explore themes of social class and rural life. The contrast between the active dancers and the more passive observers suggests a hierarchy within the community. The landscape itself, with its blend of natural beauty and urban presence, may allude to the changing relationship between rural traditions and modern society. There’s an underlying sense of fleeting joy, as if this moment of celebration is temporary and vulnerable to disruption – a feeling reinforced by the looming tree branch and the somewhat muted tones in the background.