Part 2 Prado Museum – Escalante, Juan Antonio de Frías y -- Triunfo de la Fe sobre los Sentidos
1667, 113 cm x 152 cm, Lienzo, Óleo.
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The figures surrounding the central woman are draped in flowing robes of varying hues – deep reds, blues, and yellows – which contribute to a sense of dynamism and movement within the group. Their expressions convey reverence and supplication; they gaze upwards towards the figure holding the cross and chalice, their gestures indicating a plea for divine intervention or solace. The artist has rendered them with individualized features, suggesting distinct personalities caught in a moment of shared spiritual experience.
Two cherubic figures are positioned on either side of the composition within a cloudy sky. They appear to be observing the scene below, adding another layer of symbolic meaning – perhaps representing heavenly witnesses to this display of faith. A banner unfurls across the upper portion of the painting, bearing an inscription in Latin; its presence reinforces the work’s religious context and likely provides further insight into the narrative being depicted.
The ground on which the figures stand is rendered with a rough texture, suggesting a natural or rocky terrain. This grounding element contrasts with the ethereal quality of the sky and the divine symbols held by the central figure, creating a visual tension between the earthly and the spiritual realms. The overall effect is one of dramatic intensity and profound religious devotion. The artist’s use of color, light, and gesture works together to convey a powerful message about faith overcoming worldly desires or limitations.