Part 2 Prado Museum – Escalante, Juan Antonio de Frías y -- Cristo yacente
1663, 84 cm x 162 cm x 2 cm, Lienzo, Óleo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The composition presents a reclining figure, centrally positioned and occupying most of the canvas space. The individual lies upon a rough-hewn stone slab, draped with a simple white cloth that pools around him. His posture is relaxed yet heavy, suggesting exhaustion and finality. A dark beard obscures much of his face, but the wounds inflicted upon his body are clearly visible: punctures and lacerations mark his torso and limbs, rendered with a stark realism in the depiction of flesh tones and bloodstains.
To the right of the figure rests a skull, partially obscured by a scroll bearing Latin inscription. This element immediately introduces a memento mori motif – a reminder of mortality – and connects the scene to themes of death and transience. The presence of objects such as a shield and what appears to be a spear or lance further allude to violence and sacrifice.
The lighting is dramatic, with a strong source illuminating the figure from an unseen direction. This creates deep shadows that accentuate the contours of his body and heighten the emotional intensity of the scene. The background is dark and indistinct, suggesting a confined space – perhaps a tomb or cave – and contributing to the overall sense of isolation and solemnity.
The artist’s use of color is restrained; earthy tones dominate, with the white cloth providing a visual contrast against the darker surroundings. The brushwork appears loose and expressive, conveying a sense of immediacy and raw emotion. The overall effect is one of profound grief and contemplation on themes of suffering, sacrifice, and the inevitability of death. The deliberate inclusion of symbolic objects elevates the scene beyond a simple depiction of repose; it suggests a meditation on faith, redemption, and the human condition.