Part 2 Prado Museum – Cabezalero, Juan Martín -- Pasaje de la vida de San Francisco
Segunda mitad del siglo XVII, 232 cm x 195 cm, Lienzo, Óleo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Behind these two figures, partially obscured by foliage and atmospheric perspective, stands a central figure bathed in light. He is depicted as a male nude, with long hair and a beard, wearing a red cloak draped over his shoulders. His arm is raised in what could be interpreted as an offering or benediction. The positioning of this figure above the foreground action suggests a divine presence overseeing the interaction below.
The landscape itself contributes to the painting’s narrative depth. A rocky outcrop forms a visual base for the scene, while dense foliage and indistinct trees create a sense of enclosure and mystery in the background. The limited palette – dominated by browns, blacks, and reds – enhances the somber and devotional mood. Light is used strategically; it illuminates the central figure and highlights key areas of interaction between the two men, drawing the viewer’s attention to their connection.
Subtextually, the painting seems to explore themes of spiritual guidance, divine intervention, and perhaps a transition or initiation. The clerical attire of one man might signify an established order or institution, while the monastic habit suggests a life dedicated to religious devotion. The outstretched hand could symbolize the passing of knowledge, authority, or even faith itself. The figure in the background, with his classical physique and symbolic gesture, acts as a conduit between the earthly realm and something transcendent – a visual representation of divine grace influencing human affairs. The overall impression is one of solemnity and profound spiritual significance.