Part 2 Prado Museum – Cano, Alonso -- San Jerónimo penitente
1660, 177 cm x 209 cm, Lienzo, Lienzo. Alonso Cano
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the left, a lion rests its head, seemingly subdued or resigned, suggesting a conquered primal instinct or perhaps a symbolic representation of temptation overcome. The landscape stretches into the distance, revealing a hazy horizon line with indistinct buildings and mountains – a suggestion of civilization viewed from a place of isolation and hardship.
Above the figure, an angel descends, holding aloft a trumpet. This celestial presence introduces a note of divine intervention, potentially signifying judgment, revelation, or perhaps even solace offered to the suffering man. The angel’s position, high above and slightly removed, creates a sense of distance between the earthly realm of pain and the heavenly sphere of grace.
The artist utilizes chiaroscuro – a stark contrast between light and shadow – to heighten the emotional intensity of the scene. Light falls primarily on the figures body, emphasizing his vulnerability and highlighting the physical toll of his penance. The shadows deepen the sense of isolation and despair that permeates the composition. The color palette is dominated by earthy tones – browns, ochres, and grays – which contribute to a somber and austere atmosphere.
Subtly placed at the base of the rocky outcrop lies a melon or gourd, its presence enigmatic. It could be interpreted as a symbol of transience, fragility, or perhaps even a reference to the fleeting nature of earthly pleasures. The overall effect is one of profound introspection and spiritual struggle, exploring themes of repentance, temptation, divine judgment, and the enduring human capacity for suffering and redemption.