Part 2 Prado Museum – Román, Bartolomé -- San Pedro Celestino, papa
Primer tercio del siglo XVII, 208 cm x 110 cm, Lienzo, Óleo.
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The composition presents a figure in somber attire against a dark, undefined background. He stands centrally within the frame, his posture suggesting both contemplation and supplication. The mans face is deeply lined, marked by a long, flowing white beard and hair, conveying an impression of age and austerity. His hands are raised in a gesture that could be interpreted as either prayer or a warding off of something unseen.
A significant array of symbolic objects surrounds him. To his left rests a golden crown, partially obscured but clearly indicative of temporal power. Beneath it lies a scattering of what appear to be coins and other small tokens, further reinforcing the theme of relinquished worldly possessions. A book is positioned on a table before him, open as if mid-reading or study. Beside the volume sits a human skull, a traditional memento mori, serving as a stark reminder of mortality. A crucifix, rendered with considerable detail, hangs from a hook affixed to the wall behind him.
The lighting is dramatic and focused, highlighting the figure’s face and hands while leaving much of the background in shadow. This concentrated illumination draws attention to his expression and gestures, emphasizing their significance within the scene. The overall palette is restrained, dominated by dark browns and blacks, which contribute to a sense of solemnity and introspection.
The arrangement of these elements suggests a narrative centered on renunciation and spiritual devotion. The crown and scattered coins signify a deliberate rejection of earthly authority and wealth. The skull serves as a constant reminder of the fleeting nature of life, while the crucifix represents faith and redemption. The figure’s posture and expression convey a profound sense of humility and acceptance in the face of mortality, hinting at a spiritual journey marked by sacrifice and devotion. A small inscription is visible near the bottom edge, likely providing further identification or context for the depicted subject.