Part 2 Prado Museum – Goya y Lucientes, Francisco de -- Las Parcas, o Átropos
1820 1823, 123 cm x 266 cm, Revestimiento mural, Técnica mixta. Francisco de Goya y Lucientes
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Here we see three distinct figures, each exhibiting expressions that suggest grim determination rather than overt malice. The central figure holds what appears to be a measuring tool, directed towards a distant point in the landscape. To her left, another figure seems to observe with a detached, almost clinical gaze. A third individual, positioned on the right edge of the composition, raises a hand as if either gesturing or warding off something unseen.
The figures are not depicted with idealized beauty; instead, their features are rendered with an unsettling realism – wrinkles, prominent noses, and shadowed eyes contribute to a sense of age and weariness. Their clothing is simple and unadorned, further emphasizing their austere nature. They appear to be floating on a nebulous form, indistinct and lacking clear definition, which reinforces the impression that they exist outside of conventional reality.
The landscape below is sparsely detailed, consisting primarily of low-lying vegetation and distant hills shrouded in mist. This lack of detail serves to focus attention entirely on the figures themselves and their actions. The horizon line is relatively low, further emphasizing the aerial perspective and the sense of detachment from earthly concerns.
Subtly, a feeling of inevitability permeates the work. The figures’ actions suggest a predetermined course, an inescapable fate being measured and enacted. Their expressions are not those of active agents but rather of individuals carrying out a duty, however unpleasant it may be. The muted colors and indistinct background contribute to this sense of foreboding, suggesting that these events unfold outside of human control or comprehension. There is a quiet dignity in their grim task, hinting at the weight of responsibility and the acceptance of an unavoidable destiny.