Water Babies Edward John Poynter (1836-1919)

The painting depicts two nude young women in a lush, ancient-looking courtyard with a fountain. One woman, with reddish-blonde hair and a serene expression, is seated on the edge of a pool, reaching out with one hand towards the water. Water cascades from a decorative spout held by another figure (partially obscured by foliage) in the upper-left of the frame, and she is catching it in her cupped hand. The other woman, with darker hair pulled back and a red band around her forehead, is kneeling in the water, looking up at her companion. Her body is turned away from the viewer, with her back muscles clearly defined as she moves.

The setting is rich with detail: classical architectural elements like columns and arches, as well as decorative sculptures and gargoyle-like spouts from which water flows. Lush green foliage drapes from above, creating a sense of an idyllic, verdant retreat. A dark blue cloth is draped around the seated womans legs.

Subtexts:

• Ethereal Beauty and Purity: The nude figures, the flowing water, and the abundant greenery evoke a sense of natural beauty, innocence, and perhaps even a mythical or divine realm. The title itself, Water Babies, suggests a connection to pure beings or an origin from water, a symbol of life and rebirth.
• Sensuality and Youth: While the scene is presented with an aesthetic focus on beauty, the nudity of the young women also introduces an element of sensuality. The painting captures a moment of youthful playfulness and companionship.
• Classical Allegory: The architectural setting and the classical references in the artwork (like the sculptures and spouts) hint at a connection to ancient Greek or Roman themes, potentially alluding to nymphs, goddesses, or idyllic pastoral scenes from mythology. The scene could be interpreted as a celebration of the human form and the pleasures of nature in an idealized setting.
• The Contrast of Forms: The dynamic pose of the kneeling woman, with her muscles engaged, contrasts with the more relaxed, seated posture of the other. This can suggest different states of being or active versus passive enjoyment.
• The Act of Giving and Receiving: The interaction of the two women, with one seemingly pouring water or offering it, and the other reaching to receive it, can be seen as a metaphor for connection, nurture, or shared experience.