Anthony Vandyke Copley Fielding – A View on the Brathay near Ambleside
w/c over traces of graphite on paper
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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The river itself occupies a significant portion of the canvas, its surface reflecting the muted light from above. Several rocks protrude from the water, adding texture and visual interest to the immediate vicinity. A small herd of cattle grazes near the riverbank on the left side, their presence introducing a pastoral element into the scene.
The trees are depicted with varying degrees of detail; some are fully realized with individual leaves suggested through delicate brushwork, while others appear as simplified masses of foliage. This variation contributes to the overall sense of naturalism and suggests a selective focus by the artist. The mountains in the distance are rendered as hazy silhouettes against a pale sky, their forms softened by atmospheric haze.
The color palette is restrained, primarily consisting of greens, browns, yellows, and grays. These muted tones contribute to a feeling of tranquility and serenity. Light plays an important role, illuminating certain areas while leaving others in shadow, creating a sense of depth and volume. The sky occupies a substantial portion of the upper register, its pale hue suggesting either early morning or late afternoon light.
Subtly, theres a suggestion of human presence through the implied scale of the landscape – it’s a view intended to be observed, not inhabited. The cattle introduce an element of domesticity within this otherwise wild setting. The overall effect is one of quiet contemplation and appreciation for the natural world; the artist seems less interested in documenting specific features than in conveying a mood or feeling associated with the place.