John Warwick Smith – On Mt. Palatine
1764 to 1831. 52×37
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the left, a curved wall rises, partially obscuring the view and creating a sense of depth within the composition. This wall is weathered and shows signs of decay, further reinforcing the impression of antiquity. A small structure with a low-pitched roof sits adjacent to this wall, its placement suggesting an informal or utilitarian purpose.
The vegetation plays a significant role in softening the harshness of the stone structures. Two palm trees are prominently positioned near the buildings center, their forms adding a touch of exoticism and vitality to the scene. A variety of other shrubs and foliage fill the spaces between the buildings, contributing to an overall sense of overgrown tranquility.
The sky occupies a considerable portion of the upper frame. The clouds are rendered with loose brushstrokes, suggesting movement and atmospheric perspective. Their pale coloration contrasts with the earth tones of the landscape below, drawing attention to the expanse above.
The artist’s use of muted colors – primarily browns, ochres, and grays – creates a subdued and contemplative mood. There is an absence of strong contrast or vibrant hues, which contributes to the feeling of quietude and timelessness. The light appears diffused, suggesting either early morning or late afternoon hours.
Subtly, the work conveys a sense of melancholy and reflection on the passage of time. The juxtaposition of robust architecture with encroaching nature implies a narrative of decline and renewal. It is not merely a depiction of a place but an exploration of history’s imprint upon the landscape and the enduring power of natural processes to reclaim what was once built by human hands.