Hugues Taraval – Bengt Ferrner (1724-1802)
1762.
Location: National Museum (Nationalmuseum), Stockholm.
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The man’s attire immediately establishes him as belonging to a specific social stratum. A blue coat, buttoned high at the neck, is paired with a crisp white shirt collar and an elaborate lace jabot – details indicative of wealth and status during the mid-18th century. The powdered wig, meticulously styled, reinforces this impression, adhering to the fashionable aesthetic of the period.
The artist has rendered the skin tones with considerable attention to detail, capturing not only the light reflecting off the surface but also subtle variations in color that suggest a healthy complexion and underlying vitality. Theres a deliberate avoidance of harsh lines or dramatic shadows; instead, a gentle blending creates an impression of serenity and composure.
The expression on his face is complex. While there’s a hint of a smile playing on his lips, it doesn’t convey overt joy or amusement. Rather, it suggests a quiet confidence, perhaps even a touch of self-awareness. The eyes, though direct, lack warmth; they seem to assess the viewer rather than engage with them.
Subtextually, this portrait likely functions as an assertion of social standing and personal character. It’s not merely a likeness but a carefully constructed representation intended to project an image of respectability, intelligence, and authority. The deliberate simplicity of the background serves to amplify these qualities, removing any distractions from the subjects persona. The overall effect is one of restrained elegance and understated power – a visual declaration of belonging within a privileged echelon of society.