Leonora Carrington – Returnodela Osa Mayor
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Along the hull of the vessel are arranged numerous faces, each depicted with an expressionless gaze and a somewhat unsettling symmetry. These figures appear to be embedded within the structure itself, blurring the line between passenger, crew, and the ship’s very fabric. They lack individual characteristics, suggesting a collective identity or perhaps a loss of individuality within a larger system.
Several human-like forms are positioned on the upper deck, seemingly observing the scene with detached curiosity. Their postures are stiff and formal, contributing to an impression of alienation and emotional distance. A small sailboat is visible in the lower right corner, appearing distant and vulnerable against the imposing presence of the ship. This juxtaposition may symbolize a contrast between traditional modes of travel and the advent of industrialized transportation, or perhaps represent a sense of isolation from simpler times.
The artist’s use of broad brushstrokes and simplified forms creates a dreamlike quality, distancing the scene from immediate reality. The absence of specific details allows for multiple interpretations; the vessel could be understood as a metaphor for societal progress, technological advancement, or even a journey into the unknown. The pervasive reddish tones suggest underlying tension, anxiety, or perhaps a sense of entrapment within this mechanized voyage. Overall, the painting conveys a feeling of melancholy and introspection, prompting reflection on themes of humanity, technology, and the passage of time.