Self-portrait Francesco Capella (Francesco Daggiu) (1711-1784)

The composition presents a man in a three-quarter view, positioned centrally against a dark, almost impenetrable background. He gazes directly at the viewer with a measured expression; his eyes convey a sense of introspection rather than overt emotion. The lighting is dramatic and focused, highlighting his face and upper torso while leaving much of the surrounding space in shadow. This chiaroscuro effect intensifies the focus on the figure and contributes to an atmosphere of solemnity.
The man’s attire consists of a loose-fitting robe or cloak in a warm terracotta hue, which contrasts with the pale tones of his skin and the dark background. A white shirt collar is visible beneath the robe, adding a subtle detail that suggests a degree of formality. His hair is dark, neatly trimmed, and falls forward onto his forehead.
A significant element of the painting lies in the inclusion of two figures positioned to the left of the central figure. One appears to be an older man with a long white beard, rendered with considerable realism and detail. He holds what seems to be a cloth or drape. The second figure is partially obscured but appears to be another individual, possibly younger, whose face is turned away from the viewer.
In his right hand, the central figure holds a large wooden palette covered in dried paint pigments. Several brushes are arranged on the palette alongside the paints, signifying his profession as an artist. His fingers and hands are rendered with meticulous attention to detail, emphasizing their dexterity and skill. The placement of the palette serves not only as a visual cue regarding his occupation but also as a compositional device that directs the viewer’s eye across the painting.
The subtexts within this work suggest themes of artistic identity, legacy, and perhaps even mentorship. The inclusion of the older figure with the beard could represent an ancestor or a revered teacher, symbolizing the transmission of knowledge and skill through generations. The partially visible younger individual might signify the artists own future or the continuation of his craft. The direct gaze of the central figure implies a desire for recognition and perhaps a contemplation on his place within the artistic lineage. The overall tone is one of quiet confidence and profound self-awareness, indicative of an artist deeply engaged with both his craft and his identity.