Joseph Mallord William Turner – Chateau de St. Michael, Bonneville, Savoy
from 1802 until 1803.
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The sky occupies a significant portion of the upper register and is characterized by dynamic cloud formations – billowing cumulus clouds are rendered with visible brushstrokes, conveying a sense of movement and grandeur. Light filters through these clouds, illuminating portions of the landscape while leaving others in shadow, contributing to the overall depth and drama.
A solitary figure, clad in light-colored garments, stands near the paths edge in the foreground. This individual appears small relative to the surrounding environment, emphasizing the scale of the natural world and perhaps suggesting a sense of human insignificance within it. A stone wall or embankment borders the path on one side, while a rocky outcrop with sparse foliage occupies the right-hand corner, framing the view.
The color palette is predominantly earthy – browns, greens, and grays – punctuated by the brighter tones of the sky and the figure’s clothing. The application of paint appears loose and expressive, indicative of an interest in capturing the immediacy of observation rather than precise detail.
Subtly, the painting evokes a feeling of remoteness and contemplation. The distant structure might symbolize history, power, or perhaps even isolation. The lone figure invites reflection on themes of journey, perspective, and humanity’s relationship with nature. The overall impression is one of awe-inspiring natural beauty combined with a quiet sense of melancholy.