Cruzeiro Seixas – #41375
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In the leftmost panel, we observe what appears to be a figure emerging from a brick structure. The form is highly stylized, with elongated limbs and an ambiguous posture that suggests both vulnerability and resilience. Small floral motifs are scattered around the upper portion of the composition, offering a subtle counterpoint to the solidity of the architectural element. A diagonal plane cuts across the lower section, creating a sense of depth and instability.
The central panel introduces a more complex arrangement of forms. Here we see what might be interpreted as a reclining figure partially obscured by an angular, triangular shape that dominates the composition. The use of overlapping planes and distorted perspective creates a feeling of disorientation and ambiguity. A suggestion of water or sky is indicated through washes of pale blue, adding to the ethereal quality of the scene.
The rightmost panel depicts what seems to be another fragmented figure, this time holding an object – possibly a tool or vessel – in one hand. The composition is anchored by a red-brown shape that serves as a visual base for the figure. A small, overturned container sits near the lower edge of the panel, hinting at loss or disruption.
The overall effect of the triptych is one of psychological complexity and emotional tension. The fractured forms and ambiguous narratives invite multiple interpretations. Its possible to read these panels as a meditation on themes of displacement, memory, or the fragility of human existence. The limited color range contributes to a sense of melancholy and introspection, while the fragmented composition suggests a world in pieces – a world that is both familiar and unsettlingly strange. The deliberate lack of clear narrative resolution leaves room for individual contemplation and emotional engagement.