Jean the Younger Benner – Joan of Arc, Relief Portrait with Flowers
1888. 99x71
Location: Old and New National Galleries, Museum Berggruen (Alte und Neue Nationalgalerie, Museum Berggruen), Berlin.
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The floral arrangement dominates the visual space, forming a dense, almost overwhelming frame around the portrait. A diverse range of blooms – roses, carnations, and other varieties – are depicted in varying stages of maturity, from tightly closed buds to fully opened blossoms. The color palette is rich and varied, with yellows, pinks, reds, and whites creating a vibrant contrast against the muted tones of the relief. The flowers are not arranged in a formal or symmetrical manner; instead, they appear somewhat wild and naturalistic, suggesting an organic growth rather than deliberate design.
The subtexts within this work seem to revolve around themes of remembrance, beauty, and perhaps even sacrifice. The combination of the classical portrait and the floral wreath evokes associations with funerary monuments and memorial celebrations. Flowers are frequently employed as symbols of mourning and fleeting beauty, underscoring the transient nature of life. The abundance of blooms could also be interpreted as a representation of enduring legacy or the flourishing of memory.
The contrast between the stoic stillness of the relief portrait and the lively energy of the floral arrangement creates a compelling tension within the image. It suggests that while physical presence may fade, the impact and remembrance of an individual can endure through symbolic representations like these. The dark background serves to isolate the central subject, intensifying its visual prominence and contributing to a sense of solemnity and reverence.