#12361 Rafael De Penagos

The composition presents a scene centered around two figures positioned before a locomotive. The color palette is dominated by shades of green and brown, with accents in yellow and white, contributing to a somewhat muted yet distinctive aesthetic. A stylized logo, REGAL, appears prominently at the top, accompanied by text identifying it as a supplier of “Discos Electricos” (electric records).
The two individuals are dressed in similar attire – tailored suits, caps, and overcoats – suggesting a shared profession or social standing. They appear to be porters or railway workers, engaged in handling luggage. The man on the left carries a small suitcase, while the woman on the right is positioned near a stack of boxes and larger trunks. Their expressions are neutral, almost impassive, lending an air of quiet diligence to their work.
The locomotive itself looms large in the background, its form simplified into geometric shapes. It serves as more than just a backdrop; it’s integral to the narrative, representing travel, progress, and perhaps even modernity. The luggage – a collection of various sizes and styles – further reinforces this theme of movement and journey.
Beneath the central figures, text indicates that this is Supplement No. 77 from “Impresion Viva-Tonal,” dated June 1930. This contextual information suggests the image functioned as an advertisement or promotional material associated with a publication. The overall design reflects the Art Deco style prevalent in the early 20th century, characterized by its streamlined forms and decorative elements.
Subtly, the painting conveys a sense of order and efficiency. The figures are neatly arranged, their actions purposeful. This could be interpreted as an endorsement of the Regal brand – implying reliability and quality associated with travel and entertainment. The limited color range contributes to a feeling of restraint and sophistication, characteristic of the era’s design sensibilities.