The altar polyptych Coronation of the Virgin (Valle Romita Polyptych) – Franciscan Saint and St. Francis Receiving the Stigmata Gentile da Fabriano (c.1370-1427)
Gentile da Fabriano – The altar polyptych Coronation of the Virgin (Valle Romita Polyptych) - Franciscan Saint and St. Francis Receiving the Stigmata 1410-12. 49x76
The panel presents a diptych composition divided by a central architectural element, likely intended as part of a larger altarpiece. The left side depicts a scene of profound spiritual significance, while the right portrays a moment of contemplative study. On the left, a figure kneels in supplication before a dramatic backdrop of rock and foliage. His posture is one of intense devotion; his gaze directed upwards towards a winged entity descending from above. This being, rendered in vibrant red hues, appears to be extending what are clearly depicted as rays or beams of light toward the kneeling man. The composition suggests an event of divine intervention, specifically the reception of stigmata – physical marks mirroring those suffered by Christ. The figure’s humble attire and the rough terrain emphasize his humility and spiritual vulnerability before the supernatural encounter. A halo encircles his head, signifying sanctity. The right panel offers a contrasting scene of quiet introspection. Here we see a monk seated on a stone ledge within an enclosed architectural space, possibly a niche or alcove. He is absorbed in reading from a large book held open in his hands. The setting suggests a place of study and contemplation, with the red brickwork and arched window hinting at a monastic environment. The figure’s relaxed posture and focused expression convey a sense of peace and intellectual engagement. Like the figure on the left, he is also marked by a halo, indicating his status as a holy individual. The central architectural division serves not only to separate the two scenes but also to visually connect them. The golden background behind the architectural element suggests a heavenly realm, linking the earthly experiences of both figures with the divine. The contrast between the active, dramatic event on the left and the passive, contemplative scene on the right creates a dynamic interplay that invites reflection on different aspects of spiritual life – suffering, revelation, and intellectual pursuit. The overall effect is one of profound religious devotion and the exploration of the relationship between humanity and the divine.
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The altar polyptych Coronation of the Virgin (Valle Romita Polyptych) - Franciscan Saint and St. Francis Receiving the Stigmata — Gentile da Fabriano
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On the left, a figure kneels in supplication before a dramatic backdrop of rock and foliage. His posture is one of intense devotion; his gaze directed upwards towards a winged entity descending from above. This being, rendered in vibrant red hues, appears to be extending what are clearly depicted as rays or beams of light toward the kneeling man. The composition suggests an event of divine intervention, specifically the reception of stigmata – physical marks mirroring those suffered by Christ. The figure’s humble attire and the rough terrain emphasize his humility and spiritual vulnerability before the supernatural encounter. A halo encircles his head, signifying sanctity.
The right panel offers a contrasting scene of quiet introspection. Here we see a monk seated on a stone ledge within an enclosed architectural space, possibly a niche or alcove. He is absorbed in reading from a large book held open in his hands. The setting suggests a place of study and contemplation, with the red brickwork and arched window hinting at a monastic environment. The figure’s relaxed posture and focused expression convey a sense of peace and intellectual engagement. Like the figure on the left, he is also marked by a halo, indicating his status as a holy individual.
The central architectural division serves not only to separate the two scenes but also to visually connect them. The golden background behind the architectural element suggests a heavenly realm, linking the earthly experiences of both figures with the divine. The contrast between the active, dramatic event on the left and the passive, contemplative scene on the right creates a dynamic interplay that invites reflection on different aspects of spiritual life – suffering, revelation, and intellectual pursuit. The overall effect is one of profound religious devotion and the exploration of the relationship between humanity and the divine.