David von Krafft (Attributed) – Per Ribbing of Zernava (1670-1719)
69×54
Location: National Museum (Nationalmuseum), Stockholm.
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The most striking feature is undoubtedly the elaborate hairstyle. A voluminous cascade of greyish-white curls frames his face, meticulously rendered to suggest both texture and volume. This style, characteristic of the late 17th and early 18th centuries, signals social status and adherence to contemporary fashion. The hair’s complexity draws attention away from any potential simplicity in the subjects features.
The man is clad in a brown robe or coat, its fabric rendered with visible brushstrokes that suggest a rich texture. A white linen shirt or cravat peeks out from beneath the garment, adding another layer of visual interest and indicating refinement. The lighting falls primarily on his face and hair, highlighting these areas while leaving the rest of his attire in shadow. This selective illumination contributes to an overall sense of gravitas.
The artist’s technique appears to prioritize a realistic representation of form and texture over precise detail. There is a softness to the edges of features and clothing, which lends a degree of gentleness to the portrait. The limited color palette – primarily browns, whites, and greys – reinforces the somber mood and contributes to an atmosphere of understated elegance.
Subtly, the painting suggests a man of considerable means and social standing. The elaborate hairstyle, fine clothing, and confident posture all point towards a person accustomed to privilege. However, the dark background and somewhat muted color scheme temper any potential ostentation, hinting at a personality that values dignity and restraint over overt display. The slight asymmetry in his pose and expression introduces an element of individuality, suggesting a man who is both aware of his position and comfortable within it.