Perino del Vaga – Holy Family
1525-35. 90x67
Location: Borghese gallery, Rome (Galleria Borghese).
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Flanking the woman are two male figures. One, older with flowing white hair and beard, gestures protectively toward a small child lying on a shallow basin. The child’s nudity emphasizes vulnerability and innocence. A second young boy kneels near the edge of the basin, his hands pressed together in what appears to be prayer or supplication.
Behind these figures rises an elaborate architectural structure – a fragment of a classical building with arches and columns. This construction is not fully integrated into the scene; it seems more like a backdrop than a functional element, creating a sense of idealized space. The landscape beyond the architecture fades into a hazy distance, populated by trees and suggestive of rolling hills.
The color palette is dominated by warm tones – reds, yellows, and browns – which contribute to a feeling of warmth and intimacy. However, the use of cooler greens in the woman’s garment and the background introduces a subtle contrast that prevents the scene from becoming overly saccharine. The lighting appears diffused, softening the edges of the figures and creating a sense of gentle atmosphere.
Subtly embedded within the composition are symbolic elements. The basin holding the child could allude to purification or baptism. The architectural fragment suggests an association with classical learning and wisdom. The presence of the animal reinforces the scene’s connection to rural life and humility. Overall, the painting conveys a sense of familial piety and reverence, suggesting themes of protection, devotion, and divine grace within a carefully constructed visual narrative.