Thomas Roberts – Lough Erne from Knock Ninney, with Bellisle in the distance, County Fermanagh, Ireland
1771. 57×91
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The lake itself occupies a significant portion of the composition. Its surface reflects the sky, creating an atmospheric effect that blurs the line between water and air. Several islands dot the lake’s expanse, receding into the hazy distance. The far shore is defined by a series of low hills, their forms softened by atmospheric perspective.
The color palette is predominantly muted, with greens and browns dominating the foreground and blues and greys characterizing the sky and distant landscape. Light plays an important role in shaping the scene; it illuminates the grassy slope and highlights the tree’s foliage while casting shadows that suggest depth and volume. The clouds are rendered with a loose brushstroke, contributing to the overall sense of atmospheric realism.
Beyond its straightforward depiction of a natural setting, the painting suggests themes of exploration and dominion. The riders on horseback imply a surveying presence, an assertion of control over the land. Their movement away from the viewer could symbolize a journey or a quest for discovery. The vastness of the landscape, contrasted with the small scale of the human figures, evokes a sense of humility in the face of nature’s power. There is also a subtle melancholy conveyed by the receding figures and the muted color scheme; it hints at themes of transience and the passage of time.
The compositions structure – the gradual recession into space, the layering of forms – creates an immersive experience for the viewer, inviting contemplation on the relationship between humanity and the natural world.