El Greco – Madonna and Child with Saint Martina and Saint Agnes
1597-99. 193.5 x 103
Location: National Gallery of Art, Washington.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The central female figure, presumably the mother, exhibits an introspective gaze directed slightly downward. Her expression conveys a mixture of tenderness and solemnity. She is enveloped in deep blue robes, which contrast with the vibrant red garment worn by the child nestled within her arms. The infant’s pose is active; he reaches out as if engaging with his surroundings.
To the left stands a woman clad in green, her face turned towards the central figures. Her gesture appears to be one of reverence or supplication. On the right, another female figure, dressed in white and pale blue, mirrors this posture, creating a visual symmetry within the group. The light catches on the folds of her garments, emphasizing their texture and adding depth to the scene.
The overall effect is one of spiritual contemplation. The subdued color palette, dominated by blues, greens, reds, and whites, contributes to a sense of quiet dignity. The artist’s use of loose brushstrokes and dramatic chiaroscuro – the interplay of light and shadow – suggests an emotional intensity beneath the surface of the scene.
Subtly embedded within this devotional imagery are hints of human vulnerability. The figures expressions are not idealized; they possess a certain melancholy that resonates with the viewer. This nuanced portrayal moves beyond simple religious iconography, suggesting a deeper exploration of faith, motherhood, and perhaps even suffering. The obscured background, while visually striking, also serves to isolate the group, reinforcing their sense of otherworldliness and spiritual significance.