El Greco – Agony in the Garden
1600-07. 169x112. Church of Santa Maria, Andujar
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 1 Ответы
ГЕФСИМАНСКИЙ САД
Ночь сошла духовной духотою.
Сад столь тяжело благоухал,
Что как будто смертною средою
На мгновенье бытия предстал.
И Христа молитва пламенела
Нитями незримого огня.
А учеников сморило. Тело
Слабовато. Утомленье дня.
А Христос молился…даже камни
Тут слезами изойти должны
От густейшей, тяжкой, стародавней,
Общечеловеческой вины.
Факелы потом потьму разъяли,
И Иуда с римлянами шел.
Небеса, безмолвствуя, вбирали
Смрадного предательства глагол.
И Петра Иисус остановивши,
Молвил: Я сойду во гроб, и я
Из него восстану силой высшей,
Славой высшей – инобытия.
И ко мне на суд пойдут столетья
И все люди в надлежащий час. –
Ибо я не буду безответен
К сердцу сердца каждого из вас.
You cannot comment Why?
To his left, an ethereal being with expansive wings appears to approach. This figure is bathed in a luminous glow, contrasting starkly with the darkness enveloping the scene and suggesting divine presence or consolation. The angel’s posture is one of gentle concern, though its expression remains ambiguous.
Below the central figure, two other men are depicted in postures of despair. They huddle together on the ground, their faces buried in their hands, conveying a sense of helplessness and shared suffering. Their garments – one in red and blue, the other in yellow – offer visual contrast while reinforcing the theme of collective burden.
The background is dominated by deep shadows punctuated by patches of moonlight filtering through foliage. A sliver of moon hangs high in the sky, adding to the atmosphere of foreboding. In the far distance, partially obscured by darkness and vegetation, a group of figures can be discerned, seemingly observing the scene from afar.
The artist employs a dynamic use of light and shadow – a technique known as chiaroscuro – to amplify the emotional intensity. The stark contrast between illuminated areas and deep shadows creates a sense of drama and emphasizes the psychological weight of the moment. The color palette is similarly restricted to reds, yellows, blues, and whites, further contributing to the painting’s somber mood.
Subtly, the landscape itself seems to mirror the emotional state of those depicted. The small rise upon which the central figure kneels suggests a precarious position, while the surrounding darkness implies an overwhelming sense of isolation and despair. The presence of foliage hints at natures indifference to human suffering. The distant figures suggest a broader context – a community witnessing or complicit in this moment of profound crisis. Overall, the work explores themes of sacrifice, divine intervention, and the burden of responsibility within a framework of intense emotional distress.