Lovisa Ulrika (1720-1782), Queen of Sweden Princess of Prussia * Antoine Pesne

The portrait presents a woman seated in a lavish interior setting. She is positioned slightly off-center, facing towards the viewer with a direct gaze that conveys both composure and a degree of formality. The composition adheres closely to conventions of aristocratic portraiture from the mid-18th century.
Here we see an elaborate gown dominating the visual field. Its muted green hue is accented by intricate lace detailing at the neckline and sleeves, suggesting wealth and refined taste. The fabric drapes in graceful folds, contributing to a sense of volume and movement while simultaneously emphasizing the sitter’s stature. A matching bow is held delicately in her left hand; its dark color provides contrast against the pale tones of her skin and dress.
The background is deliberately subdued, consisting primarily of shadowed walls and architectural elements that recede into darkness. To the right, a chair with blue upholstery and a crown placed upon it are visible, subtly reinforcing the sitter’s elevated status. The limited depth of field focuses attention squarely on the woman herself.
Her hairstyle, characteristic of the Rococo period, is intricately arranged with curls and ornaments, further highlighting her fashionable appearance. Jewelry adorns her neck and ears, adding to the overall impression of opulence. The lighting is soft and diffused, minimizing harsh shadows and creating a flattering effect that idealizes her features.
Subtly embedded within this formal presentation are indications of power and lineage. The crown on the chair signifies sovereignty, while the carefully constructed pose and attire project an image of authority and dignity. The overall impression conveyed is one of controlled elegance and regal presence, designed to solidify the sitter’s position within a hierarchical social structure.