Anton Mauve – Cows on pasture
c.1882. 50x70
Location: Old and New National Galleries, Museum Berggruen (Alte und Neue Nationalgalerie, Museum Berggruen), Berlin.
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The composition is structured around a central pool of water reflecting the sky and surrounding vegetation. This reflective surface acts as a visual anchor, drawing the eye into the heart of the scene while simultaneously creating a sense of depth. A weathered wooden fence runs along the middle ground, partially obscuring the background and further defining the spatial relationships within the painting. Beyond the fence, a flat expanse stretches towards a hazy horizon line, suggesting an expansive, perhaps limitless, rural setting.
The trees are bare, their branches reaching upwards like skeletal fingers against the overcast sky. This lack of foliage reinforces the feeling of dormancy and hints at a season – likely late autumn or early spring – characterized by transition and quietude. The light is diffused and even, lacking strong contrasts that would create dramatic shadows; this contributes to the overall mood of tranquility and melancholy.
Subtly, the painting evokes themes of rural life and connection to nature. The cows, symbols of sustenance and agricultural labor, are presented not as objects of industry but as integral components of a natural environment. Their placid grazing suggests a harmony between animal and landscape. The muted colors and somber atmosphere might also imply a contemplation on the cyclical nature of time and the passage of seasons – a quiet meditation on the rhythms of rural existence. There is an understated dignity in the scene, suggesting a reverence for the simplicity and enduring qualities of the countryside.