#45803 Antonio Cano Correa

Here we observe a drawing executed primarily in charcoal and white chalk on a dark background. The composition is dominated by a seated female figure rendered with exaggerated proportions and a somewhat unsettling expressiveness. Her body appears weighty and voluminous, the flesh depicted with broad strokes that emphasize form rather than precise detail.
The woman sits upon a block-like structure, which serves as both seat and compositional anchor. She holds a small object to her mouth, seemingly inhaling from it; this action is rendered with particular attention, suggesting its significance within the scenes narrative. Her gaze is directed upwards and slightly off-center, conveying an air of introspection or perhaps melancholy.
A crescent moon hangs in the upper right corner, positioned as if observing the woman’s posture. Below her feet, a stylized fish is sketched with minimal detail, appearing almost like a symbolic afterthought. The dark background contributes to a sense of isolation and confinement, intensifying the focus on the figures emotional state.
The drawing evokes themes of introspection, perhaps even despair. The exaggerated body shape could be interpreted as representing an internal burden or psychological weight. The act of inhaling from the object introduces ambiguity – is it a source of solace, or a means of escape? The moon, a recurring symbol in art, often represents cycles and transformation, but here its presence feels detached and somewhat ominous. Finally, the fish, traditionally associated with fertility and abundance, seems diminished and out of place, possibly hinting at a sense of loss or unfulfilled potential.
The artist’s use of charcoal lends a raw, immediate quality to the work, enhancing the feeling of vulnerability and psychological intensity. The drawings overall effect is one of unsettling beauty, prompting contemplation on themes of human fragility and the complexities of inner experience.