#45805 Antonio Cano Correa

The drawing presents a figure rendered in charcoal on what appears to be textured paper. The composition is vertically oriented and dominated by a central, stylized human form. This individual stands with legs slightly apart, their posture suggesting both stability and a degree of vulnerability. The body is elongated and distorted, lacking precise anatomical detail; instead, it’s formed from flowing, curvilinear lines that suggest movement or transformation.
The face is rendered as two large, dark voids, devoid of discernible features, contributing to an unsettling sense of anonymity and perhaps suggesting a loss of identity or emotional expression. Above the head, a circular form echoes the shape of the figures body, potentially symbolizing cyclicality or a connection to cosmic forces.
Below the figure, three fish are depicted in a simplified manner, their forms echoing the curves present throughout the composition. Their placement at the base suggests a grounding element, possibly representing primordial life or subconscious drives. The background is heavily shaded with charcoal, creating a dense and oppressive atmosphere that isolates the central figure. This darkness emphasizes the figure’s form while simultaneously obscuring any sense of spatial context.
The drawings subtexts seem to revolve around themes of identity, transformation, and the relationship between humanity and nature. The distorted human form could be interpreted as an exploration of psychological fragmentation or a commentary on the dehumanizing effects of modern society. The fish, recurring motifs in mythology and symbolism, might represent instinctual desires or a return to more elemental states of being. Overall, the work conveys a sense of unease and introspection, inviting contemplation on the complexities of human existence within a larger, ambiguous universe.