John Hamilton Mortimer – Man attacking a monster
1770~1780. 30×36
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The creature itself dominates the right side of the painting. It possesses a composite form, exhibiting characteristics of both canine and leonine species, yet distorted into something distinctly unnatural. Its mouth is agape in a ferocious snarl, exposing sharp teeth, while its eyes appear wild and menacing. The artist rendered the monster’s fur with loose brushstrokes, creating a sense of chaotic energy and untamed power. It appears to be lunging forward, suggesting an imminent attack or desperate attempt to escape.
The background is characterized by a dark, impenetrable forest. Dense foliage obscures any clear horizon line, contributing to a claustrophobic atmosphere that amplifies the tension between the two figures. The limited palette – dominated by earthy greens, browns, and muted tones – reinforces this sense of darkness and foreboding. Light appears to emanate from an unseen source, highlighting the central action while leaving much of the surrounding environment in shadow.
Subtextually, the painting seems to explore themes of human struggle against primal forces or inner demons. The man’s confrontation with the monster can be interpreted as a symbolic representation of overcoming adversity, battling ones fears, or confronting the darker aspects of human nature. The creature itself might embody chaos, instinct, or repressed desires that threaten to overwhelm reason and control. The setting within the dense forest suggests a journey into the unknown, a descent into the subconscious where these struggles take place. The ambiguity surrounding the man’s expression and the monsters motivations allows for multiple interpretations, inviting viewers to contemplate the complexities of human experience and the enduring battle between order and chaos.