Unknown painters – Saint Catherine Delivered from the Wheel
1375~1400. 35×33 cm. Spanish, Northern
Location: Art Institute, Chicago.
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To his right, a young woman occupies the focal point of the painting. She exhibits an air of serenity despite her precarious situation; a golden halo encircles her head, marking her as divinely blessed or sanctified. Her hands are raised in what appears to be either supplication or acceptance, and her gaze is directed upwards, suggesting a connection with a higher power.
Beneath the wheel lies another bearded man, seemingly bound or restrained by its structure. His posture conveys defeat and submission, contrasting sharply with the woman’s composure. He is partially obscured by the base of the wheel, further emphasizing his subjugated status.
Above the scene, an angelic figure descends from a dark, cloudy sky. The angel holds aloft what appears to be a sword or similar weapon, poised as if ready to intervene. This celestial presence introduces a layer of divine intervention and suggests that justice or salvation is imminent.
The color palette is dominated by rich reds, golds, and browns, contributing to the painting’s overall sense of grandeur and solemnity. The gold background creates an ethereal atmosphere, separating the depicted scene from earthly reality.
Subtly, the work explores themes of power, suffering, faith, and divine intervention. The rulers gesture could be interpreted as a reluctant acknowledgement of defeat or perhaps a demonstration of his inability to control fate. The woman’s calm acceptance suggests a triumph over adversity through spiritual strength. The presence of the angel implies that earthly authority is ultimately subservient to a higher power, offering hope for redemption and justice. The wheel itself functions as a potent symbol of suffering, persecution, and cyclical time – a visual representation of trials overcome by faith.