Unknown painters – Portrait of a Woman
1544. 40×30 cm. Flemish artist
Location: Art Institute, Chicago.
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The woman’s clothing is significant in establishing her social standing. She wears a black gown with a low-cut neckline adorned with a delicate lace collar and a gold chain. The sleeves are particularly striking; they are fashioned from a vibrant red fabric, elaborately puffed and gathered at the wrist, suggesting considerable expense and skilled craftsmanship. Her hands, clasped gently before her, display carefully manicured nails and a ring on her left hand, further indicators of wealth and status.
A white linen headdress frames her face, partially obscuring her hair while adding to the overall impression of modesty and refinement. The inscription at the top, AN ÆTATIS SVÆ 30 · 1944, indicates that she was thirty years old when the portrait was created in 1544. This detail provides a concrete anchor for understanding the work within its historical context.
Beyond the straightforward depiction of a woman’s likeness, the painting carries several layers of subtext. The formal pose and elaborate dress suggest an intention to project an image of respectability and social importance. The direct gaze establishes a connection with the viewer, inviting contemplation and perhaps even a sense of intimacy despite the formality of the setting. The inclusion of her age is not merely descriptive; it serves as a marker of identity within a society where lineage and familial connections were paramount.
The color palette – the stark contrast between the black gown, red sleeves, and pale skin – is carefully considered to create visual interest and emphasize the subject’s beauty. The dark background contributes to an atmosphere of solemnity and gravitas, reinforcing the impression that this is a portrait intended to commemorate a person of significance. Overall, the painting offers a glimpse into the life and status of a woman within a specific historical moment, conveyed through meticulous detail and carefully orchestrated visual cues.