Unknown painters – Still life with musical instruments (copy by Evaristo Baschenis)
1660~1680. Bergamo painter
Location: Academy Carrara (Accademia Carrara), Bergamo.
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Dominating the scene is an array of instruments: a dulcimer lies partially open, revealing its strings; a lute rests alongside it, its curved form echoing the contours of the surrounding objects; and a violin leans against a wooden box, suggesting a moment of repose or disuse. Scattered around these instruments are sheets of music, some loose and others bound within books. A painters palette, bearing traces of pigment, sits near an apple and a lemon, hinting at the creative process.
The arrangement is not haphazard; it conveys a sense of order and deliberate placement. The objects appear to be arranged on a table covered with a patterned rug, which further anchors the scene and adds another layer of visual texture. Light falls upon the composition from an unseen source, highlighting certain areas while leaving others in shadow. This creates a dramatic effect and emphasizes the three-dimensionality of the objects.
Beyond the literal depiction of musical instruments and artistic tools, the painting suggests themes of transience and the passage of time. The scattered music sheets and the slightly disarranged appearance of the instruments imply that they have been used and are now awaiting further engagement. The presence of fruit, susceptible to decay, reinforces this sense of impermanence.
The overall effect is one of quiet contemplation, inviting the viewer to consider the relationship between art, music, and the fleeting nature of existence. The meticulous detail and careful arrangement suggest a reverence for these pursuits, while the subtle undercurrent of melancholy hints at their inherent fragility.