Unknown painters – Madonna and Child Enthroned
1490~1499. Milanese painter
Location: Academy Carrara (Accademia Carrara), Bergamo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The child wears a red tunic over a lighter garment, the colors contrasting against the mother’s somber attire. He reaches towards her, his gesture conveying dependence and affection. The platform upon which they sit is decorated with marble-like panels, adding to the sense of regal importance. Behind them rises an architectural structure – a niche or portico – with classical elements like pilasters and a rounded archway. This backdrop creates a sense of enclosure and emphasizes their separation from the surrounding space.
The sky above is painted in muted tones of grey and blue, with indications of clouds suggesting a celestial realm. The overall palette leans towards earth tones – browns, blues, reds – contributing to a solemn and dignified atmosphere.
Subtleties within the work hint at deeper meanings. The formality of the poses and the rigid architectural setting suggest an emphasis on piety and reverence rather than intimate domesticity. The child’s gesture could be interpreted as both a sign of vulnerability and a symbol of divine grace being offered. The dark blue robe, while visually striking, might also symbolize humility or mourning. The use of gold in the halo and decorative elements reinforces the sense of sacredness and spiritual significance. The paintings style points to an era where religious iconography was paramount, and artistic expression served primarily to convey theological narratives.