Unknown painters – Have pity
1480~1500. Flemish painter
Location: Academy Carrara (Accademia Carrara), Bergamo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The setting is an outdoor landscape rendered in muted earth tones. A rocky outcrop rises in the background, punctuated by distant buildings that suggest human habitation but remain detached from the immediate tragedy unfolding. The vegetation – trees and low-lying shrubs – is depicted with a degree of naturalism, yet lacks vibrancy, contributing to the overall somber mood. A vertical element, likely a pillar or architectural feature, divides the composition, creating a sense of enclosure around the central figures while simultaneously directing the viewers eye towards the landscape beyond.
The artist’s use of light is significant. It illuminates the woman and the body she carries, highlighting their vulnerability and emphasizing the stark contrast between life and death. The shadows cast across the scene deepen the emotional weight of the moment.
Subtleties within the painting suggest a narrative extending beyond immediate grief. The landscape, while seemingly peaceful, hints at an underlying sense of isolation. The distant buildings could represent a community that is either unaware or indifferent to the suffering depicted. Furthermore, the woman’s expression – a mixture of sorrow and quiet strength – implies not only personal loss but also a broader burden of empathy and responsibility. The positioning of the body, angled slightly towards the viewer, invites an intimate connection with the scene, prompting reflection on mortality and compassion.